Do Vale Tudo
Brasileiro ao "Mixed Martial Arts"
by João Alberto
Barreto
Reviewed by Robert
Drysdale
Special to GTR
@May
2, 2018
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It
is seldom for a book on martial-arts to be written by someone with so
much credibility as well as such an enduring history in their art. João Alberto
Barreto's
(hereafter JAB) resume is long: the first gHeroi
do Ringueh; one of the first non-Gracie instructors of the Gracie
academy; one of the founding fathers of gVale-Tudoh
(modern MMA); academic; author; one of the original UFC refereefs as
well as fight promoter. A long and respectful resume by someone who
lived as well as witnessed what was, arguably, the greatest revolution
in the history of martial-arts.
Standing
in a unique position to interpret the evolution of gValendo Tudoh into a global phenomenon of both practitioners
and spectators, Barreto writes for a younger generation that knows
little about this evolution. In addition, he writes his own
understandings of the sport as it is today as well as his method for
success in the cage/ring.
Do Vale Tudo
Brasileiro ao "Mixed Martial Arts" is divided into five chapters. Chapter one deals with the birth of Vale-Tudo
as an art, its progression and its culmination on the international
stage through the creation of the UFC. Next, the author takes us through
this evolution as he divides them into a series of acronyms he uses to
define different stages of this same evolution. The third and fourth
chapter deal with psychological aspects of combat in which he makes no
short usage of his experience as both, a sport psychologist and fighter.
In the final chapter, Barreto presents to us his gJAB Methodh for physical, technical and mental preparation for
aspiring fighters.
The
initial chapter on the history of this development, holds no novelties
since it repeats commonly held misconceptions and myths regarding the
development of both BJJ and MMA in
Brazil. From the purpose of Maedafs trip to Brazil, to his early teachings of Kodokan Judo in Belém,
to unfounded stories about Maeda himself (like the one where Maeda won a
fight against an opponent by simply shaking his hand. The hand-shake,
having the power to subdue his opponent there and then). Other
inaccuracies are the commonly held and widespread myth of Helio
Graciefs weak physique as well as a match between Helio and Geo Omori
that never took place (his brothers Carlos and George were the ones that
fought Omori), as well a fight between Carlos Gracie and a man called
gSamuelh that has no record of ever occurring.1 Also, the assault by
the Gracie brothers on Manuel Rufino dos Santos
as well as referring to the Helio Gracie and
Waldemar Santana fight as the first Vale-Tudo fight in Brazil, to
mention a few. In the authorfs defense, the book
is not a historical work nor does it ever claim to be.
Following
this, JAB begins a chronological dissertation of the evolution of
Vale-Tudo in
Brazil. From the creation of the television show gHerois
do Ringueh that featured the first Vale-Tudo
fight broadcasted on television,
and with JAB himself as the star of the show, to the events that
exploded around the world following the creation of the UFC by Rorion
Gracie, John Milius and Art Davie. JAB is also careful to give due
credit to the main figures of this phase that catapulted Vale-Tudo
in Brazil from a marginalized and niche practice to the center stage of
global attention.
In
chapter two, the author presents the reader with a series of acronyms to
explain his different interpretations of the state of the sport as it
evolved over time. They are: Valetudo Global (VTG); Arte-Marcial
Integrada (AMI); Valetudo Brasileiro (VTB); Sistema Globalizado de Lutas
(SGL); Luta Livre Americana (LLA); Vale-Tudo (VT) and, of due course,
MMA. The author makes loose differentiations between all these acronyms
which arenft always clear and sound rather confusing to the reader
since much of these differentiations seem redundant and unnecessary.
Here
the author presents us with one of the cornerstones of his thesis,
namely, the usage of gmachucaçãoh
as a drift from what the author considers to be the premise of combat:
to win by submission, KO or TKO. JAB elegantly coins the term gmachucaçãoh
(which I will loosely translate as the ghurtingh of the opponent) to
describe his disagreement with the judging system that prompted fighters
to win the round by points rather than decisively. According to JAB, the
excessive usage of this ghurtingh is not merely a drift from the
purpose of combat described above, but also the unnecessary damaging of
an opponent without practically winning. Regardless, of what one thinks
of his rationale, the author makes his point in a rather lucid and clear
way, giving the reader food for thought.
The
chapter extends into the authorfs views on what the effective tactics
for modern fighting are. From striking, (where the author insists in the
assimilation of Capoeira into the repertoire of modern fighters), to the
clinch, to the ground (where he insists, lucidly, in the top position as
the de-facto dominant position in a fight), as well as other tactical
preferences he recommends for the aspiring new generation, which he
divides into gwell-doingsh and gwrong-doings. Some of it
interesting and thought provocative others well within common sense, yet
others, technically questionable for modern combat at the highest level.
JAB
also makes a good point in regards to the current MMA ruleset (one that
I share with him in fact). If modern MMA is to be a laboratory for
efficient combat techniques, that is to say it is meant to be gas real
as it getsh, so long as the fighters health integrity is preserved,
then what follows is that all efficient techniques should be permitted,
including kicks by a downed opponent on the top fighter (regardless of
the latter being standing or kneeling). A prohibition I have yet to hear
a good argument for. The chapter finishes with a quick gloss over the
role of the referee, trainers and the media.
Next,
JAB is at his best and well within his field of domain: Sports
Psychology. Speaking not only with the authority of a psychologist
himself, but as a former fighter (and pioneer at that). Going over the
many different emotional aspects a fighter must learn how to cope as
well as instructing the reader how to prepare for such situations. He
aptly describes what he calls the gpath to sports excellencyh (O
caminho da excelência esportiva)
as: talent, aspiration, discipline, commitment, perseverance,
non-conformity (with current status), motivation, courage, extreme
training, confidence, joy (in what you practice), overcoming limits,
humbleness, affirmation (of individuality), responsibility, un-comfort
zone (by creating these in practice), be aware of gtraps of successh
(that can sway you from your target) and control of performance (to
always seek excellency).
He
gleams when he speaks of the above. Like when he writes of the necessity
for a fighter to gstay out of his comfort zoneh in practice or when
he speaks of the genetic endowment playing a role not merely in regards
to physical abilities but being determining, alongside nurture, in
mental abilities as well. If he errs at all in these chapters, is not
exploring more thoroughly these fundamental aspects of the psychology of
fighting. He finishes these chapters with very helpful drills for
relaxation and visualization in preparation for a fight.
Lastly,
JAB describes his training method: gO
Método JAB (João Alberto Barreto) de Treinamento.h
In many ways it is a continuation of the end of chapter two where he
makes a critique of the current technical state of the sport and gives
his own suggestions on how to remedy this. To avoid combating without a
clear objective, the surpassing of onefs own limits, logic, knowing
how to fight with an efficient guard and the dominancy of the
top-position are at the center-stage of his method. The author outlines
fifty-eight situations common to modern MMA and points out what the
objectives should be when the fighter finds himself in these situations,
such as: getting to know your opponent as much as possible, his
physical, technical, tactical and psychological characteristics (#6); a
blow to any part of the body can be, through pain and distraction, the
best way to knockout your opponent (#42); and never give away what you
are about to do, but surprise your opponent instead (#46). Many of these
points fall well within the realm of common sense, while others aptly
point out fundamental aspects in combat that are often neglected by
professional fighters.
Additionally,
throughout his writing, JABfs loyalty to the Gracie family and to
favorites (in particular Dana White and John McCarthy) jump at the
reader as he does not economize on flattery. Yet ultimately JABfs book
lacks a coherent pathway by which he lays down his expertise and
opinions. The book meanders, is often redundant, makes excessive usage
of acronyms which conceptually overlap one another, makes excessive use
of complex language that is inaccessible to much of the targeted public,
and often back-tracks on points that were explicitly explained in detail
in previous pages.
All
in all, gDo Valetudo Brasileiro
ao Mixed Martial Artsh is a compendium of thoughts that encompass
the technical, the physical as well as the psychological by a man who
has guaranteed his name as a founding father of an art that has become a
global phenomenon. The appropriately describes Brazilian Vale-Tudo (VTB)
gas a new modality (c) simply the most efficient one on the
planet.h For this, JAB deserves our respect in contributing to the
creation of a laboratory (as he describes the cage/ring) that has been
consistently perfecting martial-arts for almost a century in its long
journey from
Japan
, to
Belem
and to the World. JAB is a living conduit of this
epic living and developing history.
Notes
1.
Concerning the supposed fight with "Samuel", see here.
@
JAB's book can be ordered below:
https://www.lojapvt.com.br/none-12332116

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(c) 2018,
Robert Drysdale. All rights reserved.
Revised May 6,
2018.
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